Bearded Dragon BABIES!!

Well, not quite yet. But while I was working on a 3D model of her boyfriend, my female decided it was time and dropped a clutch about two dozen strong. Mom's healthy though evidently uncomfortable, while the eggs have been transferred (from an egg-laying bin full of peat moss) into a ghetto incubator made up of a 75 watt lightbulb heating up a vermiculite-filled leftover Chinese food container. Hey, at least I stabilized the temperature at 83 degrees.Allow me to take this occasion to post some pictures of a dragon clutch from a few years ago. I think you'll agree that kittens and puppies have NOTHING on how cute hatchling bearded dragons are.

Okay with that out of the way, let's get to work, as this is a WIP blog after all. I did some UV mapping on my beardie model. For the uninitiated, UV mapping means taking the geometry and flattening it out in the most economical way on a two dimensional image. To make it easier, I removed certain parts from the whole (in UV space), such as the legs, head, jaw, etc. After some doing, here is what I came up with. If you have nothing better to do, try to figure out which parts correspond to what part of the lizard! :DDDD

The spikes are not UVed, as I plan to throw a procedural texture on them. Now, this *would* work, but we want to make better use of the space. After some playing around with placement, this is a much better arrangment:

And this what the dragon looks like with the good ol' checker pattern. Besides looking awesome, this lets us see where the texture would be stretched or warped (by way of stretched or warped squares). As you can see, this guy's looking pretty good.

Next stop, Mudbox for texturing and normal map painting. God I hope my tablet still works.

Beardie Update

Happy Day! More bearded dragon WIP shots. I was considering doing touch-ups in Mudbox but I think the model is pretty much there with just subdivision poly modelling in 3ds max.

I had a bit of a tough time with the spikes, as I didn't want to have to position them all by hand, and max doesn't have a "paint effects" tool like Maya. I ended up using the Hair and Fur system, then converted to geometry, which worked out pretty well.

Next up is UV mapping, and taking some hi-resolution shots of a very annoyed and confused lizard.

Bearded Dragon

There's a site called Turbosquid that's been around for a while. In fact, it has been around for so long that I remember high school friends coming over to my house and wondering "what the hell that weird icon on my desktop is."

(The icon, a shortcut to the Turbosquid desktop client application, featured a cartoon squid-- what else?--so without any other information, really- that's a pretty damn strange icon to have.)

The short story is, Turbosquid is a website that allows you to upload your 3D models and sell them to others who might need them, with Turbosquid taking a percentage off the top for themselves. So if you make a catfish, you can upload that catfish to Turbosquid, and anybody that needs a catfish model can download it. It's a great passive way to make additional income on project assets that would otherwise lie dormant on a hard drive somewhere, and it's a great place to find 3D models for current projects.

Well, as 3D graphics are becoming more and more popular, so is Turbosquid growing more and more robust each year. So I've decided to use one day per week to create assets or dust off models for this site. Last week I cleaned up some old models. This week I started a new one, and what's a better subject than something of which you have plenty of readily available reference materials? Enter my bearded dragons.

These are some isometric shots, edited with Photoshop, to aid in crating the basic shape in 3D.

And here's how he's coming along so far. YES, it is a boy. My second-generation dragin Fish is being immortalized in digital 3D.

And if you're curious, check out my current collection of Turbosquid merchandise here:

http://www.turbosquid.com/Search/Index.cfm?keyword=eradek&x=0&y=0

Music Video

Finished Anthony Bryant's music video for his single, What About Life. It has a very catchy beat and was extremely fun to work on. Anthony is a great manager, and it's great to see him get super-excited about a new idea or a new visual treatment, but he also knows when to pull the artist back a bit. For some in-depth analysis of the early behind-the-scenes, check out my earlier post from late December.

Here is the final video:

And here is a comparison video of a very early cut, with no color grading, no additional city backgrounds, and some early edit changes, too.

Click the "YouTube" button on the bottom bar of the player to launch the video in the original YouTube page, or go full screen HD for the best sound and picture!

Music video performed by Anthony Bryant

Directed and Edited by Radek Michalik

Produced by Mark Nadolski

Starcraft!

Bit of a fun diversion project I'd like to share today. I've been recruited to create some graphics and icons for Starcraft player.

Now, normally I wouldn't bother to bat an eye at this project. Two reasons convinced me

otherwise:

1) I am a Starcraft player, and felt that I could make something cool based on my knowledge (not to be confused with SKILL) of this game, and

2) Said player is in the Master League of Starcraft, which is super-exclusive and encompasses just the top 2% of all players.

If you're not aware, Starcraft is extremely competitive, and the top players often have

thousands of lower-ranked players following their strategies and matches. So when a Master

League player comes calling, you don't say no.

Long story short, here are the graphics I created for him. The first is a kind of banner.

The second and third graphics are for forum posts and "pause" graphics on video streams:

The interesting thing here is the tools that I used to create this, namely, After Effects. That's right, zero Photoshop. And it was an extremely efficient way to work. The smoke elements were stock footage shot against black, the red lasers were particles emitting particle trails, and the "K" element opening up was in real AE 3D, which means I could potentially animate this logo to make a cool video intro.

Follow speKter's Starcraft exploits here: http://www.justin.tv/skterran

3D Caricaturization!

Let's begin by saying this is one of the most fun assignments I've worked on: create caricature 3D spaceman characters of everyone on the client's team. Could hardly be called working at all.

Starting out, I took some reference images. Here's one. We'll call him Tim.

The next step was to create some sketches and nail the right look. Too bad I can't draw caricatures to save my (or anyone else's) life. Luckily, I found an extremely talented artist, James Hungaski, who was also excited about the possibility of working with a 3D artist who would translate his artwork into 3D models and characters. We went through several iterations of caricatures until we arrived at one that Tim signed off on.

Here is James's website, give him a holla if you need artwork done... http://www.jameshungaski.com/

And while I can't draw caricatures, I do have a small artistic bone in me, so while James tackled Tim's face, I sketched out the full body and suit.

Then, the relevant (front and side isometric) images were imported into 3ds max to allow modeling to begin.

I quickly realized that caricatures don't necessarily translate perfectly into 3D space, so I had to make lots of decisions about the forehead, chin, face shape, etc where to front and side drawings didn't quite match up. I think, in the end, I did justice to the concept art.

Tim requested some small tweaks to the face, as well as a render using an Ink and Paint shader for comparison. I felt that the cartoon look wasn't quite as successful, and I would have liked to keep the face as it was (slightly simpler, with larger, more expressive eyes). In the end, Tim agreed with my assessment and decided to drop the Toon shader, though he stuck to his guns regarding the updated face. Oh well, it's his face, after all...

The final render is at the top. It is rigged using 3ds max's CAT animation rig, which is super intuitive and very easy to set up quickly and use. In a project like this, where the budget doesn't really allow for creating individual bones and rigging the skeleton, that is invaluable. I'm very happy with the final product, and I look forward to watching James tackle some more people. In the face.

I wonder if there is a demand for more artwork like this? Possibly companies are just waiting to be sold on the idea of fun, 3D avatars of their employees.

"Men" and "Munich"

The Men Who Would Be King chronicles the inception of Dreamworks in the early 1990s and its fall and reorganization just a year ago.

Munich is one of the last films Spielberg made under the umbrella of the old Dreamworks.

Having finished reading the former, I had a hankering desire to view the latter. (Trust me, it all makes sense.)

Men is essential reading for those who enjoy keeping up with the endless circus of Hollywood hubris and power plays, or put more simply: film buffs and anyone that enjoys ruining rose-colored glasses.

I could write essays about this book; about why Dreamcast failed to live up to expectations, what drove the three giants behind the company (filmmaker Steven Spielberg, animation pro Jeffrey Katzenberg, and multi-billionaire music mogul David Geffen).

I won't. I had some drinks and I'd like to sleep.

But I will say that I sympathize with Spielberg (yes, I had to put that image in here, shut up you know it's cute)

especially the chapter on Munich, when it was blasted in the press, and he was accused of everything from elitism to making a film that was essentially anti-Isreali (it wasn't). The movie follows a group of Isreali assassins on a mission to avenge the slayings at the 1972 Olymics in Munich. I won't go into a review here, though there's much to praise and a couple of things that bug me. I will say that the movie was beautiful to watch, from the rich retro sepia tones to the often heartbreaking performances. Technically, there are marvels in terms of camera work as well.

When I was young, I was afraid that watching the behind-the-scenes of movies on VHS or TV would ruin the magic. Now, having followed the logical course (BTS on VHS leads organically and naturally through film school) I can safely say that it has NOT. However, when I see a shot where a camera is tracking focus on a character's reflection in a car's window, only to pull focus to a character beyond the glass inside the car, then to pull focus back to the reflection passing by, all the while keeping lighting on all subjects perfect and making it all look effortless, I can't help but shake my head and want to high-five Spielberg or cinematographer Janusz Kaminski.